Maya Shi
"Meta Medieval" is a conceptual term coined for this project to describe the fusion of medieval aesthetics with contemporary perspectives. It reflects a self-aware exploration of timeless themes such as female expression, emotion, and connection across eras. By blending historical and modern elements, the work invites viewers to reflect on the continuity of human experience through evolving artistic forms.

Materials - Archival Pigment Print
Size - 23 3/5 × 17 7/10 × 1 in | 60 × 45 × 2.5 cm
Rarity - Limited edition
Medium - Photography
Condition - Fine Art Pigment Print under Acrylic Glass
Signature - Not signed
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Maya Shi
"Meta Medieval" is a conceptual term coined for this project to describe the fusion of medieval aesthetics with contemporary perspectives. It reflects a self-aware exploration of timeless themes such as female expression, emotion, and connection across eras. By blending historical and modern elements, the work invites viewers to reflect on the continuity of human experience through evolving artistic forms.

Materials - Archival Pigment Print
Size - 23 3/5 × 17 7/10 × 1 in | 60 × 45 × 2.5 cm
Rarity - Limited edition
Medium - Photography
Condition - Fine Art Pigment Print under Acrylic Glass
Signature - Not signed
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Maya Shi
"Meta Medieval" is a conceptual term coined for this project to describe the fusion of medieval aesthetics with contemporary perspectives. It reflects a self-aware exploration of timeless themes such as female expression, emotion, and connection across eras. By blending historical and modern elements, the work invites viewers to reflect on the continuity of human experience through evolving artistic forms.

Materials - Archival Pigment Print
Size - 23 3/5 × 17 7/10 × 1 in | 60 × 45 × 2.5 cm
Rarity - Limited edition
Medium - Photography
Condition - Fine Art Pigment Print under Acrylic Glass
Signature - Not signed
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Veera Romanoff
Materials - Mixed media on canvas
Size - 19 7/10 × 19 7/10 in | 50 × 50 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Veera Romanoff
Materials - Mixed media on canvas
Size - 19 7/10 × 19 7/10 in | 50 × 50 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Veera Romanoff
Materials - Mixed media on canvas
Size - 39 2/5 × 39 2/5 in | 100.1 × 100.1 cm
Rarity - Unique
Medium - Mixed Media
Condition - The artwork will be shipped disassembled, including the stretcher frame
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Lena Kardash
In Evening, complexity becomes the environment itself. Individual elements merge into a whole in which it is increasingly difficult to determine where one ends and another begins.
Yet the painting depicts neither destruction nor catastrophe. Its tension comes instead from the sense of a world that has reached such a degree of interconnectedness that a change in one part inevitably affects the others.
Evening captures a state before a possible transformation — a moment when the existing order still holds, but its future can no longer be imagined as a simple continuation of what came before.

Materials - Oil on linen
Size - 31 1/2 in diameter | 80 cm diameter
Rarity - Unique
Medium - Painting
Signature - Not signed
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Lena Kardash
In Go game, a single move can change the significance of many others. The position of each stone is determined not in isolation, but by what is happening around it.
In the painting, this principle extends beyond the game. Several orders coexist, intersect, and interfere with one another; a local change can disrupt or reshape the balance of the whole.
Go Game becomes a model of a world in which the consequences of our actions increasingly refuse to remain local. The denser the connections become, the harder it is to foresee where the consequences of a single move will emerge.

Materials - Oil, acrylic on canvas
Size - 23 3/5 × 23 3/5 × 4/5 in | 60 × 60 × 2 cm
Rarity - Unique
Medium - Painting
Signature - Not signed
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Lena Kardash
In Portrait of an Era, natural and human-made structures are so closely intertwined that it becomes impossible to determine unequivocally what supports what, what constrains what, and what depends on what.
The work became one of the starting points for the Density Limit project. Here, the original image of the Gordian Knot takes on a different meaning: the complexity of these connections can no longer be resolved simply by cutting them apart. Through interpenetrating structures, Kardash addresses a condition of the contemporary world in which interdependence becomes a source of both resilience and tension.
Portrait of an Era does not depict a particular event, but a world in which interconnectedness itself has become a defining condition of existence.

Materials - Oil on linen
Size - 31 1/2 × 23 3/5 × 1 3/5 in | 80 × 60 × 4 cm
Rarity - Unique
Medium - Painting
Signature - Not signed
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Marina Kulow
Materials - Oil on canvas
Size - 39 2/5 × 27 3/5 × 1 1/5 in | 100 × 70 × 3 cm
Rarity - Unique
Medium - Painting
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

The work "SHE" is based on the piano piece "Prelude, Chorale, and Fugue" by the French composer Cesar Franck. The grandeur, the richness of the images, the vast sound spaces, the beauty of the harmonies, and the complex, colorful polyphony of this music inspired me. The entire composition is permeated by organ sounds. Therefore, in the course of the work, I wanted to create a majestic and noble image, HER image... But who is she? What is her name? Perhaps Truth, Veracity, Holiness, or Justice...
Why does she cover her face? Perhaps she doesn't want to see it... and at the same time, she can't help but see it; she can't be completely indifferent to it... Or perhaps she wants to hear it? To hear what the modern world sounds like... A world that is changing before our eyes, a world in which the concept of normality has been lost, a world of post-truth, a world of contradictions and lost ideals, a world with an unknown tomorrow and full of people who are searching for an answer to the most important question: Who are we today and where are we going?

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Marina Kulow
She sits in a dark room, monotonously fingering the threads with her gentle hands... It's quiet all around... But it's an illusion... She dreams... Her thoughts run in a vicious circle, endlessly... Sometimes dark, sometimes ardent lines carry her far from the dark room... They are full of colors, desires and unfulfilled hopes...

Materials - Oil on canvas
Size - 23 3/5 × 15 7/10 × 4/5 in | 60 × 40 × 2 cm
Rarity - Unique
Medium - Painting
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Jamala Rahmanli
From the Textil project "Woven from the past"

Materials - Textile, a rug remnant, yarn
Size - 59 1/10 × 39 2/5 × 1/10 in | 150 × 100 × 0.3 cm
Rarity - Unique
Medium - Textile Arts
Signature - Not signed
Certificate of authenticity - Included (issued by gallery)
Frame - Not included
Series - "Woven from the past"

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Jamala Rahmanli
From the Textil project "Woven from the past"

Materials - Mixed media. Carpet remnant, acrylic, yarn on canvas
Size - 23 3/5 × 27 3/5 × 4/5 in | 60 × 70 × 2 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included
Series - "Woven from the past"

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Veronika Kvitko (Vegesent)
Deforestation is the beige that replaces green.
Deforestation operates through agricultural expansion, logging, and certification systems that register forest as commodity. Each minute, approximately 36 football fields of forest are lost globally.

The work presents a pale, mineral-like relief contained within a metal frame. Its uneven, crusted surface resembles a fragment of depleted ground: granular, eroded and almost geological, with traces of irregularity embedded across the beige field. The absence of green becomes perceptible through what has replaced it.

The work opens up looking away, hidden labour, and invisible infrastructure as the structure that keeps deforestation unseen.

Research based on: WWF (2010), WWF Global Forest & Trade Network Annual Report.

Materials - Biodegradable cellulose, reclaimed wood, sand, lite Limonite mineral pigment, binder on canvas.
Size - 3 9/10 × 3 9/10 × 3/5 in | 10 × 10 × 1.5 cm
Framed Size - 4 1/2 × 4 1/2 × 1 2/5 in | 11.5 × 11.5 × 3.5 cm
Rarity - Open edition
Medium - Mixed Media
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)


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Veronika Kvitko (Vegesent)
Red is the colour of pollution: a trace of industry transferred onto the earth.
Industrial production changes the air, water and soil through the extraction, processing and transformation of materials. In 2023, industry and industrial processes together accounted for approximately 20% of global greenhouse-gas emissions.
The work is a copper-red relief. Its glossy surface combines flowing areas with dense clusters of raised particles, irregular ridges and darker embedded marks. The metallic red catches the light like a surface exposed to intense heat or chemical change, balancing the appearance of natural earth with associations of industry, corrosion and contamination.
The work opens up the chemical trace, the geological surface of contamination, and the imprint of heat, pressure and process as structures that make industrial transformation visible while obscuring its imprint on the Earth.
Research based on: UNEP (2024), Emissions Gap Report 2024.

Materials - Biodegradable cellulose, reclaimed wood, local sand, natural Hematite mineral pigment, binder on canvas
Size - 3 9/10 × 3 9/10 × 3/5 in | 10 × 10 × 1.5 cm
Framed Size - 4 1/2 × 4 1/2 × 1 2/5 in | 11.5 × 11.5 × 3.5 cm
Rarity - Open edition
Medium - Mixed Media
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)


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Veronika Kvitko (Vegesent)
Orange is the heat of a warming Earth and the colour of the soil it warms.
Global temperatures continue to rise as greenhouse gases trap more heat in the atmosphere. The ocean absorbs much of this excess heat. Over the past two decades, the ocean has absorbed energy equivalent to about 18 times humanity's annual energy use each year.
The work is a dense orange relief. Its uneven surface shifts between smooth areas and rough, weathered textures, resembling a heated or altered landscape. The intense orange brings together the appearance of heat and the colour of earth.
The work opens up denial, the data record, and oceanic absorption as the structures that keep warming seen as a number rather than as the planetary load it is.
Research based on: WMO (2026), State of the Global Climate 2025.

Materials - Biodegradable cellulose, reclaimed wood, sand, lite Limonite mineral pigment, binder on canvas.
Size - 3 9/10 × 3 9/10 × 3/5 in | 10 × 10 × 1.5 cm
Framed Size - 4 1/2 × 4 1/2 × 1 2/5 in | 11.5 × 11.5 × 3.5 cm
Rarity - Open edition
Medium - Mixed Media
Condition - The artwork comes framed, with a choice of black, gold, or silver frame. Please specify your preferred frame color when inquiring.
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)

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Nina Kruser
Materials - Mixed media on paper
Size - 10 3/5 × 8 3/10 in | 27 × 21 cm
Rarity - Limited edition
Medium - Painting
Signature - Hand-signed by artist, sticker label
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Nina Kruser
Materials - Mixed media on paper
Size - 10 3/5 × 8 3/10 in | 27 × 21 cm
Rarity - Limited edition
Medium - Painting
Signature - Hand-signed by artist, sticker label
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Nina Kruser
Materials - Oil, graphik medium on canvas
Size - 11 2/5 × 8 1/10 in | 29 × 20.5 cm
Rarity - Limited edition
Medium - Painting
Signature - Hand-signed by artist, sticker label
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Olga Krakovyak
Materials - Recycled paper, Acrylic on Canvas
Size - 51 1/5 × 35 2/5 × 4/5 in | 130 × 90 × 2 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Olga Krakovyak
Materials - Recycled paper, Acrylic on Canvas
Size - 51 1/5 × 35 2/5 × 4/5 in | 130 × 90 × 2 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Nonna Pidvalna
Materials - Acrylic; acrylic ink on paper
Size - 22 × 22 × 1/100 in | 55.9 × 55.9 cm
Rarity - Unique
Medium - Painting
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Nonna Pidvalna
Materials - Acrylic; acrylic ink
Size - 24 × 24 × 3/4 in | 61 × 61 × 1.9 cm
Rarity - Unique
Medium - Painting
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Nonna Pidvalna
Materials - Acrylic; acrylic ink on paper
Size - 22 × 22 × 1/100 in | 55.9 × 55.9 cm
Rarity - Unique
Medium - Painting
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Aruhan (Gaukhar Bissengaliyeva)
This work was born from the inner movement of thought — a subtle matter from which new forms, new meanings, and new ornaments emerge.
I do not repeat traditional patterns; I generate my own, weaving into them the energy of the present moment. For me, each ornament is not merely a sign, but a thought that has taken shape.
When light passes through the felt, it animates the inner space of the artwork, revealing hidden layers of consciousness. This light, like a stream of ideas, connects the past and the future, transforming inner images into visible breath.
In this work, I explore how thoughts create reality — how the visible is born from the invisible, the outer from the inner, and eternity from a single moment.

Materials - Translucent felt, wool
Size - 26 4/5 × 23 3/5 × 1/10 in | 68 × 60 × 0.3 cm
Rarity - Unique
Medium - Textile Arts
Condition - Artworks are unframed. Custom framing available upon request, approx. 2 weeks, Switzerland. Estimated cost from CHF 400.
Signature - Not signed
Certificate of authenticity - Included (issued by gallery)
Frame - Not included


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Aruhan (Gaukhar Bissengaliyeva)
Created in Aruhan’s signature technique using the finest transparent felt with steppe grasses, this work explores transparency as a metaphor for the fragility and reverence of time and memory.
The steppe sign, in the artist’s interpretation, symbolizes the unbroken connection between past and future, where each form becomes an imprint of cultural code preserved in matter. When exhibited in transmitted light, the artwork reveals its complex surface relief and emphasizes the living nature of the materials, transforming the piece into a space of contemplation and silence.

Materials - Translucent felt, wool and steppe grasses
Size - 31 1/2 × 20 1/2 × 1/10 in | 80 × 52 × 0.3 cm
Rarity - Unique
Medium - Textile Arts
Condition - Artworks are unframed. Custom framing available upon request, approx. 2 weeks, Switzerland. Estimated cost from CHF 400.
Signature - Not signed
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Aruhan (Gaukhar Bissengaliyeva)
Made from ultra-thin transparent felt in the artist’s original technique, this work becomes a gateway to the deep layers of history and the origins of steppe symbolism and philosophy.
All signs appear to be born side by side, emerging directly from nature itself. The composition conveys a state of inner memory and collective consciousness, where the past does not disappear but continues to exist as a living presence. Light passing through the surface enhances the sense of fragility and sacredness of this space.

Materials - Translucent felt, wool
Size - 19 7/10 × 15 7/10 × 1/10 in | 50 × 40 × 0.3 cm
Rarity - Unique
Medium - Textile Arts
Condition - Artworks are unframed. Custom framing available upon request, approx. 2 weeks, Switzerland. Estimated cost from CHF 400.
Signature - Not signed
Certificate of authenticity - Included (issued by gallery)
Frame - Not included


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Aruhan (Gaukhar Bissengaliyeva)
In this work, Aruhan conveys the breath of the Steppe — its rhythm, movement, and infinity. The ultra-thin transparent felt and steppe grasses create a sense of lightness and air, as if the material itself is breathing.
The signs function as pulsations of time, uniting past and future within a single moment. When displayed in transmitted light, the artwork reveals the fluidity of form and makes the breath of the Steppe visible and almost physically tangible.

Materials - Translucent felt, wool and steppe grasses
Size - 15 7/10 × 12 3/5 × 1/10 in | 40 × 32 × 0.3 cm
Rarity - Unique
Medium - Textile Arts
Condition - Artworks are unframed. Custom framing available upon request, approx. 2 weeks, Switzerland. Estimated cost from CHF 400.
Signature - Not signed
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Aruhan (Gaukhar Bissengaliyeva)
Created from felt and steppe grasses in a palette inspired by the natural colors of the Steppe, Saz reflects an inner state of harmony, freedom, and spiritual strength.
Through transparency and texture, the artist expresses both the delicacy of time and the power of nature. The steppe signs become a reflection of the human spirit in dialogue with land and history. Light passing through the work intensifies the feeling of living presence and freedom, making the piece an integral part of the surrounding space.

Materials - Translucent felt, wool and steppe grasses
Size - 23 3/5 × 15 7/10 × 1/10 in | 60 × 40 × 0.3 cm
Rarity - Unique
Medium - Textile Arts
Condition - Artworks are unframed. Custom framing available upon request, approx. 2 weeks, Switzerland. Estimated cost from CHF 400.
Signature - Not signed
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Lena Kardash
The two parts of the diptych show the same object from opposite sides. The object itself remains unchanged, yet the space behind it changes: each viewpoint reveals a different world.
The work addresses the nature of perception and the impossibility of seeing a complex reality in its entirety from a single position. What we accept as a picture of the world inevitably depends on where we stand. A shift in viewpoint does more than alter the image — it reveals connections and relationships that previously remained invisible.
Within the context of Density Limit, perception becomes another dimension of complexity: by changing our point of view, we change not only how we see an individual object, but the picture of the whole that is available to us.

Materials - Oil on linen
Size - 27 3/5 in diameter | 70 cm diameter
Rarity - Unique
Medium - Painting
Signature - Not signed
Certificate of authenticity - Included (issued by gallery)
Frame - Not included
Series - Diptych

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Veronika Arto (Ovchinnikova)
This work captures a winter morning in the market town of Bad Hofgastein. Part of a series of four unique variations, this version represents a pivotal moment in my artistic inquiry. Here, I consciously depart from realism, choosing to heighten the atmosphere by subduing the traditional sky-blue tones. By doing so, I focus the viewer's attention entirely on the first piercing rays of sunlight as they break over the mountain ridge and dissolve into the morning fog. In this exploration of form and color, my goal was to preserve the raw sense of wonder and the anticipation of a miracle that a real landscape can evoke. The composition is built through the interplay of light beams and their reflections off surfaces planes.

Materials - Oil on canvas
Size - 11 4/5 × 15 7/10 × 3/5 in | 30 × 40 × 1.5 cm
Rarity - Unique
Medium - Painting
Signature - Hand-signed by artist, Signature at the bottom of the canvas
Certificate of authenticity - Included (issued by gallery)
Frame - Not included


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Veronika Arto (Ovchinnikova)
Throughout my life, I have witnessed only a few true wonders, and this scene is one of them. To simultaneously observe the world both above and beneath the fog from an opposing mountain peak is, for an artist, an invaluable experience of pure perception. This work explores a striking visual and existential contrast. Below lies the "twilight life" a flat, monochromatic world of muted grey and brown tones, where the somber, evenly lit snow dissolves into a featureless mist. In stark opposition, the space above the fog erupts into a luminous, three-dimensional realm. Here, soft pastel clouds shimmer where the sun has struck the peaks, framed by a brilliant, crystalline blue sky. This fleeting encounter with the sublime serves as a powerful illustration of the human condition. The boundary between the terrestrial and the celestial is bridgeable, yet it remains obscured by a loss of landmarks and a lack of clear purpose. The fog acts as a psychological threshold: from below, it appears as an end point avoid where everything vanishes and progress feels futile. In reality, this shroud conceals a future of unimaginable beauty, illustrating our struggle to move forward when the destination is ephemeral and the path is hidden in uncertainty.

Materials - Oil on canvas
Size - 35 2/5 × 23 3/5 × 3/5 in | 90 × 60 × 1.5 cm
Rarity - Unique
Medium - Painting
Signature - Hand-signed by artist, Signature at the bottom of the canvas
Certificate of authenticity - Included (issued by gallery)
Frame - Not included


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Vera Stein
A charming, beautiful and curvaceous woman sits in an antique armchair – a symbol of gentleness and beauty. A delicate butterfly rests gently on her hand. Her gaze is full of tender gentleness and harmony. The work plays with fascinating contrasts: a strong, curvaceous woman who is as delicate and fragile in her inner world as the butterfly on her hand. A symbol of the balance between outer fullness and inner lightness.

Materials - Oil, decoupage paper, structural paste on Canvas
Size - 31 1/2 × 23 3/5 × 1 3/5 in | 80 × 60 × 4 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist, Front, left, down
Certificate of authenticity - Included (issued by gallery)
Frame - Not included
Series - Woman as a state


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Vera Stein
This painting invites the viewer into a private world of stillness and comfort. Surrounded by warmth and soft silence, the woman rests in the bath, as the gentle sound of water creates a soothing rhythm. "Woman in the Bathroom" is not just an image, but a mood—a quiet moment of intimacy and peace, where time seems to pause and the body and soul find harmony.

Materials - Oil, decoupage paper, structural paste on Canvas
Size - 31 1/2 × 23 3/5 × 1 3/5 in | 80 × 60 × 4 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist, Front, left, down
Certificate of authenticity - Included (issued by gallery)
Frame - Not included
Series - Woman as State

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Vera Stein
A nude woman sits on a carpet, her face concealed by a Venetian mask and a glass of red wine resting in her hand. The scene radiates elegance, intimacy, and mystery. Who is she? Why does she hide her identity? The unanswered questions are what make this painting so captivating. "Woman in a Mask" is more than a figure study—it is an atmosphere. The contrast of vulnerability and secrecy creates a powerful tension that draws the eye and sparks the imagination. This artwork brings intrigue and sophistication into any space, offering not just beauty but a story waiting to be discovered.

Materials - Oil, decoupage paper, structural paste on Canvas
Size - 31 1/2 × 23 3/5 × 1 3/5 in | 80 × 60 × 4 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist, Front, left, down
Certificate of authenticity - Included (issued by gallery)
Frame - Not included
Series - Woman as State

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Inna Nikolaeiva
Materials - Oil on canvas
Size - 19 7/10 × 15 7/10 in | 50 × 40 cm
Rarity - Unique
Medium - Painting
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included
Series - Ariadne's Thread

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The weave of the lineage, Series Ariadne’s Thread 2025, oil on canvas, 50×40 cm
Work is inspired by reflections on female identity as a space of connections, where individual experience holds traces of the past. Female figures interweave into a single pattern - a fabric in which the destinies of different generations are woven together. Threads of experience, continuity, and relationships bind them, turning separate stories into a shared fabric of memory.

Inna Nikolaeiva
Materials - Oil on canvas
Size - 19 7/10 × 15 7/10 in | 50 × 40 cm
Rarity - Unique
Medium - Painting
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included
Series - Ariadne's Thread

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Memory of water, Series Ariadne’s Thread 2025, oil on canvas, 50×40 cm 
Water holds the memory of its source and carries light to the earth. In this work, the woman is a link between Heaven and Earth, a vessel receiving heavenly milk and giving it to others. She sits in the water as if in the womb of the Universe: streams envelop her figure, turning into hair, merging with her into a single element. This is an image of intuitive knowledge and ancestral memory, where the past is fixed, the future uncertain, and the present slips away like water.

Victoria Udalova

Phobia is a small painting that approaches fear with humor. Many people live with phobias, and reducing their power often begins by meeting them face to face. Here, a tennis player who is afraid of spiders prepares a forceful backhand. Rather than fleeing in panic, she stands her ground, ready to send the spider flying far away. The exaggerated encounter transforms an ordinary fear into a scene of agency and comic resolve. The painting suggests that courage does not require the absence of fear; it can begin with the decision to confront what frightens us.
The background was applied in acrylic paint with a small artist’s roller, creating a flat, compressed field, while the tennis player and spider were developed with dense, impasto strokes of oil paint.


Materials - Acrylic, oil on canvas
Size - 15 7/10 × 15 7/10 × 4/5 in | 40 × 40 × 2 cm
Rarity - Unique
Medium - Painting
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included


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Victoria Udalova

I often observe children, including my own students, and I have learned that childhood is not always the happiest period of life. It can also be when insecurities, phobias and fears first take shape—experiences children sometimes face alone, without the support of adults. El cumpleaños extraño portrays a girl after her birthday celebration. She looks at the remains of a cake once decorated with airy marshmallow flowers; only bare toothpicks are left. Her expression holds a complex mixture of confusion, disappointment and fatigue, along with the uneasy feeling that she may not have pleased the friends she invited. The festive event has ended, but its emotional aftermath remains. The painting explores the fragile distance between childhood celebration and the private anxieties that can quietly emerge beneath it.
I deliberately combine several techniques in this work. Stencils and acrylic spray paint form the silhouettes of palm branches or imaginary Mediterranean flowers. Fluid oil paint, diluted with solvent and varnish, is layered with dense impasto strokes to deepen the painting’s sense of mystery. A cool overall palette carries reflections from the swimming pool where the birthday took place, while vivid red accents in fluorescent paint disturb the blue-green atmosphere.

Materials - Acrylic spray and oil on canvas
Size - 15 7/10 × 15 7/10 × 4/5 in | 40 × 40 × 2 cm
Rarity - Unique
Medium - Painting
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Anna Yakusheva
Life is a film in our mind. This reality is created by our mind. Everything we know and take for the external world are projections of our mind.
The ancient Greek philosopher Plato came to the conclusion that only ideas are material, and other objects are just shadows. And everything that happens is an illusion, and the world is a matrix. We do not see the true Universe because of the illusion of our mind, supported by inner beliefs. And this illusion is created from the total infinite boundless stream we are in. But we only cover one small part of it.
The series of artworks "SIMULATION OF THE MIND" talk about what we can change the pictures our film and step out of the world of illusion and the wheel of life's sansara. One can wake up to the nature of one's mind. And then the truth will be revealed - real awareness from the Eternal Absolute.

Materials - Watercolour, mirror, magazine clippings
Size - 15 × 15 in | 38 × 38 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist, sticker label
Certificate of authenticity - Included (issued by gallery)
Frame - Included
Series - SIMULATION OF THE MIND

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Anna Yakusheva
Life is a film in our mind. This reality is created by our mind. Everything we know and take for the external world are projections of our mind.
The ancient Greek philosopher Plato came to the conclusion that only ideas are material, and other objects are just shadows. And everything that happens is an illusion, and the world is a matrix. We do not see the true Universe because of the illusion of our mind, supported by inner beliefs. And this illusion is created from the total infinite boundless stream we are in. But we only cover one small part of it.
The series of artworks "SIMULATION OF THE MIND" talk about what we can change the pictures our film and step out of the world of illusion and the wheel of life's sansara. One can wake up to the nature of one's mind. And then the truth will be revealed - real awareness from the Eternal Absolute.

Materials - Watercolour, mirror, magazine clippings
Size - 15 × 15 in | 38 × 38 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist, sticker label
Certificate of authenticity - Included (issued by gallery)
Frame - Included
Series - SIMULATION OF THE MIND

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Anna Yakusheva
Life is a film in our mind. This reality is created by our mind. Everything we know and take for the external world are projections of our mind.
The ancient Greek philosopher Plato came to the conclusion that only ideas are material, and other objects are just shadows. And everything that happens is an illusion, and the world is a matrix. We do not see the true Universe because of the illusion of our mind, supported by inner beliefs. And this illusion is created from the total infinite boundless stream we are in. But we only cover one small part of it.
The series of artworks "SIMULATION OF THE MIND" talk about what we can change the pictures our film and step out of the world of illusion and the wheel of life's sansara. One can wake up to the nature of one's mind. And then the truth will be revealed - real awareness from the Eternal Absolute.

Materials - Watercolour, mirror, magazine clippings
Size - 15 × 15 in | 38 × 38 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist, sticker label
Certificate of authenticity - Included (issued by gallery)
Frame - Included
Series - SIMULATION OF THE MIND

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Viktor Vinichenko
Created in Barcelona in 2024, Self-Portrait embodies a raw and introspective exploration of identity, blending traditional portraiture with abstract expressionism.
Drawing from the artist`s emotional confusion due to the forced emigration and personal tragedy, it engages in a contemporary dialogue about the multiplicity of self-representation. Its muted palette punctuated by moments of vibrant yellow invites viewers to confront the elusive nature of recognition, both of others and ourselves.
An unorthodox layering of oil and mixed media allows to create offering a fragmented yet deeply human reflection. The rich, textured surface of the canvas, an interplay between shadow and light symbolize the dualities of the self - strength and vulnerability, presence and absence, bridging the personal and the universal in a single, evocative frame.

Materials - Fiberboard, oil, mixed media
Size - 23 31/50 × 17 71/100 × 1 97/100 in | 60 × 45 × 5 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Included

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Viktor Vinichenko
This artwork explores how information becomes an integral part of our identity, shaping not only our perception of reality but also our way of thinking. The same event can be interpreted in vastly different ways, and these interpretations, in turn, shape who we are. At its core is a multilayered, textured surface resembling an archive of data, where each detail appears as a fragment of memory—blurred yet significant. The human face emerges through abstract texturesand, like a personality constructed from scattered events, fragmented recollections, digital and emotional traces. The use of collage and impasto painting techniques highlights the accumulation of information, visually conveying the process of identity formation in a world where data becomes our second self.

Materials - Canvas, oil, mixed media
Size - 60 43/100 × 57 2/25 × 1 97/100 in | 153.5 × 145 × 5 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Viktor Vinichenko
Materials - Canvas, oil, mixed media
Size - 61 21/50 × 60 63/100 × 1 97/100 in | 156 × 154 × 5 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Viktor Vinichenko
Materials - Canvas, oil, mixed media
Size - 61 1/50 × 60 23/100 × 1 97/100 in | 155 × 153 × 5 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Mari Nalu

Materials - Acrylic, 24K gold on canvas
Size - 60 × 40 × 2 in | 152.4 × 101.6 × 5.1 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included


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Mari Nalu

Materials - Acrylic, 24K gold
Size - 60 × 46 × 2 in | 152.4 × 116.8 × 5.1 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included



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Mari Nalu

Materials - Acrylic, 24K gold
Size - 48 × 36 × 1 1/2 in | 121.9 × 91.4 × 3.8 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Mari Nalu

Materials - Acrylic, 24K gold
Size - 40 × 30 × 2 in | 101.6 × 76.2 × 5.1 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Anna Yakusheva
When you make the decision to free yourself from the external and discover the depth of your inner world, you start climbing the ladder of life, on the way of which you pass different stages of your own cognition.
The path is not easy, sometimes painful, tempting, deceptive and confusing. Not everyone dares to take this risk. Not everyone dares to meet his or her real self. But the one who dares to reconcile mind and heart will already be beyond all systems. Only after having gathered courage and stepped into the amazing journey towards oneself, ego-integration and growth of personal power is possible.
And at the end of each stage, a new chapter opens and you start all over again. But this way is not like anything that was before. In each chapter the main character is YOU!

Materials - Watercolour, mirror, magazine clippings
Size - 11 × 11 in | 28 × 28 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist, sticker label
Certificate of authenticity - Included (issued by gallery)
Frame - Included

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Anna Yakusheva
To know the truth is to know oneself, to know sincerity.
Sincerity is a simple and at the same time complex human quality. Simple - because this feature is inherent in us from birth. But being an adult, climbing the ladder of life, we learn about the opposite of this quality. When our ego takes over. When we begin to succumb to outside influences, forget about our real selves, imitate and try on ourselves imposed social canons. And at this moment, in the pursuit of illusory happiness, the worst thing happens - we stop hearing our heart. We stop being sincere. And at that moment we lose touch not only with ourselves.
Sincerity is like a bridge that lies between our heart and mind. It is our balance that we strive to realise in life.

Materials - Watercolour, mirror, magazine clippings
Size - 22 × 29 1/2 in | 56 × 75 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist, sticker label
Certificate of authenticity - Included (issued by gallery)
Frame - Included

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Viktor Vinichenko
Materials - Canvas, oil, mixed media
Size - 49 21/100 × 74 4/5 × 1 97/100 in | 125 × 190 × 5 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Viktor Vinichenko
Materials - Canvas, oil, mixed media
Size - 44 22/25 × 62 1/5 × 1 97/100 in | 114 × 158 × 5 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included

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Viktor Vinichenko
Materials - Fiberboard, oil, mixed media
Size - 35 43/100 × 28 7/20 in | 90 × 72 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Included

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Viktor Vinichenko
Materials - Canvas, oil, mixed media
Size - 47 1/5 × 33 1/2 in | 120 × 85 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist
Frame - Included
Series - Intuitive art

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Veronika Kvitko (Vegesent)

Works of Material studies explore the physical matter of the Earth through colour, texture, and surface, tracing the marks of geological processes and human activity.
Each work considers the Earth's surface as an archive of time: layered, altered, and carrying traces of both natural processes and human intervention.
The works invite us to look at the ground beneath us not as a passive background, but as the material foundation from which our environmental questions emerge.

Materials - Sand, binder and reclaimed materials on canvas
Size - 7 9/10 × 7 9/10 × 3/5 in | 20 × 20 × 1.5 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included
Series - Material Studies

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Veronika Kvitko (Vegesent)

Works of Material studies explore the physical matter of the Earth through colour, texture, and surface, tracing the marks of geological processes and human activity.
Each work considers the Earth's surface as an archive of time: layered, altered, and carrying traces of both natural processes and human intervention.
The works invite us to look at the ground beneath us not as a passive background, but as the material foundation from which our environmental questions emerge.

Materials - Sand, binder and reclaimed materials on canvas
Size - 7 9/10 × 7 9/10 × 3/5 in | 20 × 20 × 1.5 cm
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included
Series - Material Studies

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Veronika Arto (Ovchinnikova)
This work captures an authentic Alpine landscape, rendered in a fluid, post-impressionist manner. It was created as a spontaneous counterpoint to a realistic study of the same vista; while this piece has a "realistic sibling," each remains entirely unique. Through an intimate understanding of the composition and color palette, I am able to apply masterful, gestural strokes that emphasize emotional and conceptual depth. The alpine fog strips the surfaces of their shadows, presenting a fascinating challenge: how to translate three-dimensional volume onto a flat plane without disrupting the landscape's essence. While abstract, the forms remain recognizable to those familiar with the terrain near Dorfgastein. For the artist, this scenery also evokes a sense of nostalgia, echoing the rolling relief of her homeland.

Materials - Oil on canvas
Size - 9 2/5 × 7 1/10 × 3/5 in | 24 × 18 × 1.5 cm
Rarity - Unique
Medium - Painting
Signature - Hand-signed by artist, Signed on the back of the canvas
Certificate of authenticity - Included (issued by gallery)
Frame - Not included


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Veronika Arto (Ovchinnikova)
An artist's vision is defined by the deliberate choice of what to emphasize and what to submerge. This work explores the delicate hierarchy of focus, accentuating specific elements while allowing others to recede into the atmospheric background. In this composition, the artist achieves a harmonious equilibrium: the interplay between warm and cool tones, the contrast between an expressive, emotional shrub with its last autumn leaves and a large, dormant winter tree, and the narrative tension between the prominent rooster and the semi-abstract, ethereal figures of the hens. The distinct treatment of the foreground planes and the fluid masses of the background is the result of a rigorous analysis of spatial depth and aerial perspective. Executed in a post-impressionist style, the work captures the essence of the rural mountain landscape of Dorfgastein, transforming a pastoral scene into a sophisticated study of perception and form.

Materials - Oil on canvas
Size - 35 2/5 × 23 3/5 × 1 1/2 in | 90 × 60 × 3.8 cm
Rarity - Unique
Medium - Painting
Signature - Hand-signed by artist, Signature at the bottom of the canvas
Certificate of authenticity - Included (issued by gallery)
Frame - Not included


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Veronika Arto (Ovchinnikova)
This work served as a pivotal study for the large-scale painting, "Ideal Relationship." It offers a rare glimpse into the evolution of the artist's creative process and the refinement of the initial conceptual thought. In this piece, the interplay of spatial planes, color harmonies, and proportions was rigorously analyzed on a smaller scale to ensure the successful execution of the more ambitious, larger work. It stands as a sophisticated exploration of balance and form, capturing the essential artistic decisions that shaped the final masterpiece.

Materials - Oil on canvas
Size - 9 2/5 × 7 1/10 × 3/5 in | 24 × 18 × 1.5 cm
Rarity - Unique
Medium - Painting
Signature - Hand-signed by artist, Signed on the back of the canvas
Certificate of authenticity - Included (issued by gallery)
Frame - Not included


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Olga Shoyé
Materials - Modelgips, alabaster, clay, glue on canvas on cardboard
Size - 7 9/10 in diameter | 20 cm diameter
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included
Series - Raw Matter

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Olga Shoyé
Materials - Modelgips, alabaster, clay, glue on canvas on cardboard
Size - 7 9/10 in diameter | 20 cm diameter
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included
Series - Raw Matter

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Olga Shoyé
Materials - Modelgips, alabaster, clay, glue on canvas on cardboard
Size - 7 9/10 in diameter | 20 cm diameter
Rarity - Unique
Medium - Mixed Media
Signature - Hand-signed by artist
Certificate of authenticity - Included (issued by gallery)
Frame - Not included
Series - Raw Matter

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